Suggestions for changing contrast in one part of photo

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2021-06-18 01:19:08

I am a refugee from the film era who is skowly- VERY slowly- learning digital tools.
I have a shot scanned from a film negative that I would like to enhance the foreground contrast- just slightly, I want to go subtle, not the obvious 'Overshopped' look. Basically the foreground needs to come up slightly in brightness and add a bit of contrast so the horses stay dark. The sky is about where I want it bu the sky remains vexing. This image was challenging in silver and remains so in digital.

I know layers will be a part of the solution but looking for workflow and/or tutorials (what tools etc). In a perfect world I'd have more detail in the clouds (visible in the negative) but maybe that's not for right now.

FWIW I have both Classic and Pro on my Mac. Thanks in advance for any guidance. The image:

Image

In the smaller view size the contrast deficit in the foreground is much less obvious. But, that is what I am trying to do.
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2021-06-28 12:43:32

Hey there! We're currently working on color adjustment improvements in Pixelmator Pro that should make shadow and highlight editing a bit more independent from one another. In the meantime, I'd probably try experimenting with a combination of two Lightness adjustments — bring out more details in the foreground using Shadows, then drag the Black Point slider to bring back some contrast to the darker areas of an image. Hope that helps!
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2021-07-07 03:19:31

Thanks, I will try that but was thinking I need to separate the foreground into a separate layer to work on that separately (the adjustments you describe sound 'on point' though.. So if I do that, one of the selection tools to create a separate layer for the foreground up to the treeline?

If I adjust the whole image that way, the clouds (which are already a two-excedrin headache to get right) will only get tougher, it seems to me.
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2021-07-08 14:34:21

Sure, you can always use selections to set boundaries only around the areas you'd like to adjust. Separating the image into layers is not necessary if you're working destructively — as long as the selection is active, you can make edits to the image directly. This method will merge all the color adjustments you make once you deselect your selection.

If you'd like to keep your changes editable, though, Control-click inside the selection and choose Copy and Paste as Layer to create a copy of the selected area on a new layer. You can then adjust your selection nondestructively.