rswift wrote:
However, I'm new to both the Mac and Pixelmator and am really struggling with this topic. The documentation is very weak in this regard.
The reason for this is that on a Mac, basically everything should work "automagically". At least that's the theory.
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Like the original poster I have custom profiles also from Fotospeed (they come highly recommended
I take it that these a printer profiles for the paper Fotospeed sells, correct?
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and in Photoshop on Windows I know that I have to disable Colour Management in the printer settings at the Windows level and ensure that Photoshop is set to manage the colour,
I know that's how it's usually done in Windows, but this is really a weird, archaic way of doing it.
Long ago, when PC technology just started, word processors actually came with their own printer drivers! That sounds completely ridiculous today, but back then, there was no standard mechanism provided by an operating system to print letters graphically (i.e. not using the internal fonts of the printer). So if a word processor wanted to produce nice-looking letters (well, sort of ...

) of a specific font family, it had to use its own driver.
Of course, today that's a task of the operating system, since
every application we use should be able to print to
every connected printer in a basically identical way.
Now, if you think about it, it's exactly the same with color management.
Every application should produce correct colors, not just
Photoshop. Therefore, the correct place for printer color management is in the operating system and
not in
Photoshop, just as the operating system is the correct place for a printer driver, and not the word processor.
That this is generally not the way it is done on Windows is simply because color management on an operating system level does hardly work on Windows at all. But it does on a Mac.
So on a Mac, forget about switching off system-wide color management (called "ColorSync" on a Mac), and forget about using an application instead. (A 100% Mac OS X compliant application such as
Pixelmator won't even offer printing color management on an application level.)
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I then select the relevant printer profile and bosh... it simply works.
That's exactly the same on a Mac. The only difference being that you select the printer profile in the system-wide Print dialog sheet, where it belongs to.
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However, I am very confused on the Mac. I am simply trying to print an image that has no embedded profile on a paper using a custom profile.
Now, Mac or not, it is important to realize that this will
never work reliably on any system. Color management is about transforming colors from one well-defined color space into another. If the original color space is unknown, color management
cannot and will not work, period. The result you'll get will be completely arbitrary, although it will be reproducible as long as you always use the same method of printing (since computers are determined machines).
So whenever you get an image without an embedded profile, the first thing you
must do for color management to work is to assign a profile to define the color space. Of course, if you don't know which profile to assign, you must make an educated guess (images from Windows users or the Internet = probably
sRGB, images from Mac users = probably
Generic RGB, images from high quality cameras = probably
Adobe RGB (1998), 16 bit images from RAW cameras = probably
ProPhoto RGB). You can try and assign several profiles one after another and check which profile produces an image that "looks right", then stick to that.
Again, this has nothing to do with Windows, Mac or
Photoshop, it's a basic requirement of color management in general. You may have been lucky so far since many color management related Windows apps (probably including
Photoshop on Windows, I don't know) assume
sRGB for images without a profile (they must assume
something to convert from), and you might have mostly dealt with images from Windows users which also were meant to be in
sRGB. But again, that's pure chance, and it won't work on a Mac that assumes
Generic RGB for untagged images instead.
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What I have been unable to find anywhere are simple instructions to achieve this and as another post on this forum states the colour management implementation doesn't follow standards.
I don't know which standards you refer to, but ColorSync
is the standard on a Mac, and it's 100% ICC compliant.
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Is it possible to get a couple of simple workflow descriptions for (say):
1. Printing an image using a custom profile where the original image has no embedded profile
As I tried to explain, there's no such color management workflow. Assign the correct profile to the image first.
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2. The same as 1 but where it does (i.e. sRGB)
Very simple:
1. In a user account with admin permissions, put your printer profiles into /
Library/ColorSync/Profiles/. Launch
ColorSync Utility (in
/Applications/Utilities/), go to the
Devices pane and assign one of your profiles as the default profile for your printer. This is the profile that will be used for your printer unless you specify another one explicitly.
2. In your regular user account (which hopefully is one without admin permissions ...), just print.

Everything will be taken care of automatically as long as you want to use your default printer profile.
3. If you want to use another than the default printer profile for a specific print job, do the following:
a) In the Print dialog sheet, choose
Color Matching from the pop-up in the middle. (If you only see a very small Print dialog sheet with only two pop-ups (
Printer and
Presets) and a few buttons, click on the down arrow button right of the
Printer pop-up to switch to the advanced Print dialog sheet.)
b) In the
Color Matching pane that will be displayed, make sure
ColorSync is selected and choose your alternate profile in the
Profile pop-up. Disregard the warning that this profile might not suit your printer. Then print. Note that this setting is
not persistent, i.e. you'll have to repeat it every time you print. However, you can save this setting in a printing preset (in the
Presets pop-up in the upper half of the Print dialog sheet). Printing presets
are persistent, the last one used is selected by default. This way, you can easily build specific presets for specific papers etc.
4. If you want to soft-proof your image, don't click the
Print button after selecting the profile. Instead, click
PDF > Open PDF in Preview in the lower left. In the
Preview document window that opens, check
Soft Proof in the lower left, and you'll see the image as it will be printed with this profile.
Hope that helps.
Bye
Uli